Supervised the onset NCAM unit and rebuilt the stadium asset designed by the art department to run at 60fps in unreal engine. Spent 12 weeks on set delivering daily VFX rushes using NCAM and a custom live compositing solution which would key out the blues live and comp the unreal engine background in. Specifically for the rafters scene in which batman fights various armed thugs on precarious scaffolds and platforms.
Examples: Soon
