I am Eolan Power, a versatile professional with extensive experience in real-time supervision, visual effects, technical artistry, and directing. Throughout my career, I have demonstrated a strong track record of delivering high-quality work on various projects, blending creativity, technical expertise, and leadership skills to achieve exceptional results.
Resumé
NVIZ, London- Real Time Supervisor
May 2018 - December 2023
At NVIZ, I began my journey as a previs artist and asset builder before advancing to the role of Real Time Supervisor. During my time at NVIZ, I led numerous projects including the Oath Studios Virtual set offering, Yahoo's Fantasy Football Live, Fortnite World Cup, and Summer Block Party Live Events. Additionally, I provided on-set supervision for productions like The Batman and Fortnite World Cup, utilizing cutting-edge Ncam technology. Notable achievements include designing and delivering real-time graphics for Netflix's "Luther: The Fallen Sun" and contributing on set graphics to the upcoming Venom sequel. My collaborative approach and ability to work closely with company directors and department heads ensured the successful execution of various projects.
Husk Film London - Freelance Director
January 2013 - February 2018
As the founder of Husk Film production company, I operated on a self-employed basis, leading a roster of freelance crew members to acquire and deliver diverse projects. During this period, I actively engaged in acquiring projects, delivering pitches, negotiating budgets, and producing video content for clients across various sectors, including branded content, adverts, music videos, and corporate content.
Irish TV London- Content Director
May 2016 - January 2017
In the role of Content Director at Irish TV London, I was responsible for pitching and directing TV shows, branded content, and advertising for the network. Working under tight deadlines, I delivered weekly content tailored to the network's audience of two million viewers worldwide. This role demanded a blend of creativity, strategic thinking, and effective project management skills.
EDUCATION
- Central Film School
- FDAD Film Directing and Advanced Directing, 2006 - 2009
- Kingston University
- Film Studies, 2006 - 2009
- San Francisco Film and Digital Filmmaking - US
- Diploma, 2005
SKILLS
I possess a diverse skill set encompassing:
- Previs, Vis, and Postvis
- Game Design
- Virtual Production On-Set Supervision
-Motion graphics
- 3D Modeling Modo, Maya, Blender, 3D studio Max
- Unreal Engine 4 and 5
- Editing (Adobe Suite)
- Graphic Design
- Concept Art
- Team Leadership?
- Pipeline Development?
- Film Directing
PROJECTS
Previs
- Kraven (2024)
- Luther: The Fallen Sun (2023)
- The Batman (2022)
- The Man Who Fell to Earth (2022)
- Interview with a Vampire (2022)
- Yahoo Women in Sports Awards (2022)
- Yahoo Fantasy Football Live (2022)
- The King's Man (2021)
Vis
- Avenue 5 Season 1 and 2 (2020)
- Verizon Virtual Studios (2020)
- Fortnite World Cup (2019)
- The Witcher (2019)
- Skyfire (2019)
- Morbius (2022)
- Untitled Venom Sequel (2024)
Graphics
- An American Pickle (2020)
- The Witches (2020)
- The Midnight Sky (2020)
- Rocket Man (2019)
PRESS MENTIONS
Introduction:
Being recognized for my contributions to various projects has been both humbling and rewarding. Here are some notable mentions:
Luther: The Fallen Sun
- "NVIZ Employs Unreal on Idris Elba's Luther: The Fallen Sun" - PostPerspective.com
- "The Red Bunker appears in two key moments in the film, so the NViz graphics team — led by creative director Chris Lunney, real-time supervisor Eolan Power, and graphics supervisor Ian Sargent — worked with Payne and Wright to splice together R&D explorations of the Red Bunker environments with fragments of the film’s “real-world” horror — footage of Robey’s victims and his heinous crimes. These moments take the form of two “trailers,” advertising Robey’s big moment — the grand finale — broadcast live from the real-world Red Bunker location."* - PostPerspective.com
- *"He’s helped by a more ambitious vision for the character. Instead of chasing villains through London’s shadowy corners and fobbing off his old boss (Dermot Crowley’s Schenk, now semi-retired and replaced by Cynthia Erivo’s less sympathetic detective, Odette Raine), Luther: The Fallen Sun elevates the gruff detective to a fugitive-hero in the spirit of an Ethan Hunt or Rick Deckard. Elba has talked about this movie as his answer to James Bond and you can feel it in a story arc that takes in Tube station chases, Arctic lairs, moles, and even has him offered a martini (‘Glass of water. But if it makes you happy, you can make it fizzy,’ comes the very Luther-ish response)."* - Time Out Magazine
Fortnite World Cup
- "This speed and flexibility meant that our AR/Ncam-equipped cameras could still be called away at any time for their usual purposes while being used to shoot AR when available, without disruption to the rest of the broadcast. We were also able to equip the main cameras (35-foot cranes) with Ncam systems,” says I, acting as AR director during the events. “Essentially the AR assets would be right where they left them should they need to shoot elsewhere — if they weren’t, we could instantly snap them back using a set of built tools in our UI. This simply wouldn’t be possible without Ncam’s approach to tracking, and without our system’s speed and flexibility."* - Post Magazine.com
- "The NViz graphics team, led by myself, also provided real-time graphics for the Fortnite World Cup, enhancing the immersive experience of the live event." - Fortnite World Cup live
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